{"id":5187,"date":"2021-05-23T23:43:25","date_gmt":"2021-05-23T21:43:25","guid":{"rendered":"https:\/\/museum.jewishtimisoara.ro\/?p=5187"},"modified":"2021-06-10T15:30:45","modified_gmt":"2021-06-10T13:30:45","slug":"anath-hanit-weiss-aniko","status":"publish","type":"post","link":"https:\/\/museum.jewishtimisoara.ro\/en\/anath-hanit-weiss-aniko\/","title":{"rendered":"Anath Hanit (Weiss Aniko)"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.9.1″ _module_preset=”default”][et_pb_fullwidth_header title=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IiIsImFmdGVyIjoiIn19@” text_orientation=”center” header_scroll_down=”on” scroll_down_icon_size=”40px” button_one_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM2MzYifX0=@” button_one_text_last_edited=”off|desktop” _builder_version=”4.9.2″ _dynamic_attributes=”title,button_one_url” _module_preset=”default” content_line_height=”2em” custom_button_one=”on” button_one_use_icon=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default” custom_padding=”0px||0px||false|false”][et_pb_row _builder_version=”4.9.2″ _module_preset=”default” max_width=”80%” module_alignment=”center” custom_padding=”10px||10px||true|false”][et_pb_column type=”4_4″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_text _builder_version=”4.9.2″ _module_preset=”default” link_font=”||||on||||” link_text_color=”#000000″ link_font_size=”17px” hover_enabled=”0″ link_text_color__hover_enabled=”on|hover” link_text_color__hover=”#0A4DA3″ sticky_enabled=”0″]<\/p>\n

Home<\/a> > Social, economic and cultural life<\/a> > Economy, culture and social activities<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default” custom_padding=”0px||||false|false”][et_pb_row _builder_version=”4.9.2″ _module_preset=”default” max_width=”80%”][et_pb_column type=”4_4″ _builder_version=”4.9.0″ _module_preset=”default”][et_pb_text _builder_version=”4.9.2″ _module_preset=”default”]<\/p>\n

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M-am n\u0103scut la Timi\u015foara \u00een 1947. Farmacia din Casa Br\u00fcck din Pia\u021ba Unirii a fost proprietatea familiei mele, cump\u0103rat\u0103 de bunicul meu \u00een anul 1907. \u00cen 1963, am emigrat cu familia \u00een Israel.<\/span><\/p>\n

Am absolvit sec\u021bia de graphic design la Academia de Arte \u201cBezalel\u201d, din Ierusalim. Am continuat studiile de pictur\u0103 la Tel Aviv \u015fi Paris (1971-72) \u015fi, timp de c\u00e2\u0163iva ani, am participat la atelierul de gravur\u0103 de la \u201cCentrul Uniunii Arti\u015ftilor\u201d din Tel Aviv. <\/span><\/p>\n

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Lucrez in mai multe domenii: desen, ilustra\u0163ie, graphic design \u015fi fotografie. <\/span><\/p>\n

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Sunt membr\u0103 a Uniunii Pictorilor si Sculptorilor \u015fi a Uniunii Ilustratorilor din Israel. Am avut expozi\u0163ii personale \u015fi particip des la expozi\u0163ii de grup.<\/span><\/p>\n

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Ultima mea expozi\u0163ie personala, \u00ab\u00a0KEEP SMILING\u00a0\u00bb a avut loc in 2019, la Institutul Cultural Rom\u00e2n din Tel Aviv.<\/span><\/p>\n

\u00cen 2013, cu ocazia evenimentelor \u00een cadrul \u00cent\u00e2lnirii evreilor timi\u015foreni, am participat la expozi\u021bia de grup \u00ab\u00a0RENDEZ-VOUS\u00a0\u00bb la Palatul Baroc din Timi\u015foara. <\/span><\/p>\n

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Printre altele am f\u0103cut design \u015fi ilustra\u0163ii pentru afi\u015fe, c\u0103r\u0163i pentru copii, coperte CD.<\/span><\/p>\n

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Am creat o colec\u0163ie numita \u201cSMILELINE\u201d, care include felicit\u0103ri, h\u00e2rtie de ambalaj \u015fi alte articole de papet\u0103rie.<\/span><\/p>\n

Umorul \u015fi chiar grotescul sunt tr\u0103s\u0103turi caracteristice ale lucr\u0103rilor mele.<\/span><\/p>\n

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Sunt citadin\u0103, locuiesc in centrul Tel Aviv-ului, dar iubesc natura \u015fi sunt preocupat\u0103 de poluarea mediului inconjur\u0103tor, ceea ce am exprimat prin ilustra\u0163ii pentru Greenpeace Israel. <\/span><\/p>\n

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Fac des plimb\u0103ri matinale pe malul m\u0103rii, av\u00e2nd cu mine \u00eentotdeauna carnetul de schi\u0163e, a\u015fa \u00eenc\u00eet pot s\u0103 pun pe h\u00e2rtie orice idee, oriunde m-a\u015f afla. Toate lucr\u0103rile mele pornesc de la mici desene prin care captez o imagine, o impresie, o idee. Acesta este primul stadiu al crea\u0163iei mele artistice. <\/span><\/p>\n

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\u00cenchei aceast\u0103 scurt\u0103 biografie cu semn\u0103tura mea personal\u0103, <\/span><\/p>\n

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\u00a0 <\/span>\u201cKeep Smiling\u201d<\/span><\/p>\n

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http:\/\/anathanit.carbonmade.com<\/span><\/a><\/span><\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.9.1″ _module_preset=”default”][et_pb_fullwidth_header title=”Creatoarea unui univers plin de c\u0103ldur\u0103 uman\u0103, inteligen\u0163\u0103 \u015fi umor \u2013 Anath Hanit” subhead=”De Getta Neumann” text_orientation=”center” header_scroll_down=”on” scroll_down_icon_size=”40px” button_one_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM2MzYifX0=@” button_one_text_last_edited=”off|desktop” _builder_version=”4.9.2″ _dynamic_attributes=”button_one_url” _module_preset=”default” content_line_height=”2em” custom_button_one=”on” button_one_use_icon=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default” custom_padding=”0px||||false|false”][et_pb_row _builder_version=”4.9.2″ _module_preset=”default” max_width=”80%”][et_pb_column type=”4_4″ _builder_version=”4.9.0″ _module_preset=”default”][et_pb_text _builder_version=”4.9.2″ _module_preset=”default”]<\/p>\n

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<\/span>Pe codi\u0163a unei cire\u015fe carnoase-sanatoase, se balanseaz\u0103 un b\u0103rbat \u015fi o femeie, goi pu\u015fca, durdulii \u015fi roz, cu p\u0103r portocaliu, v\u00e2lvoi la el, stindard \u00een fl\u0103c\u0103ri la ea, cu un semn de \u00eentrebare rupt \u00een dou\u0103 \u00eentre ei, cu ghiuleaua punctului la el, cu linia arcuit\u0103 la ea. El e punctul fix, \u00eenfipt \u00een fruct, ea trebuie s\u0103 decid\u0103: s\u0103 alunece \u00een bra\u0163ele lui sau nu? Coama ei de p\u0103r \u00een v\u00e2nt, nasul \u0163intit spre el, sur\u00e2sul \u015f\u0103galnic \u015fi legea gravit\u0103\u0163ii sugereaz\u0103 c\u0103, \u00een cur\u00e2nd, cei doi se vor reg\u0103si \u00eentr-o \u00eembr\u0103\u0163i\u015fare. Iar noi privim, \u00eenveseli\u0163i de jocul simplu, dar esen\u0163ial al dragostei.<\/span><\/p>\n

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Cherrylove<\/i> de mai sus este opera lui Anath Hanit, n\u0103scut\u0103 Weiss Aniko la Timi\u015foara. Anath a absolvit Academia de Arte \u015fi Design Bezalel la Ierusalim \u015fi \u015fi-a completat studiile la Tel Aviv \u015fi Paris. Lucreaz\u0103 \u00een diferite domenii, \u00een desen, graphic design, ilustra\u0163ii \u015fi fotografie. Este membr\u0103 \u00een Asocia\u0163ia Pictorilor \u015fi Sculptorilor Israelieni \u015fi \u00een Asocia\u0163ia Israel de Ilustratori. A avut numeroase expozi\u0163ii individuale \u015fi particip\u0103 regulat la expozi\u0163ii de grup. <\/span><\/p>\n

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Intr\u0103m \u00een universul creat de Anath Hanit de parc\u0103 ne-am scufunda \u00eentr-o baie cald\u0103. Ambian\u0163a muste\u015fte de bucuria de a tr\u0103i, personajele, cu forme planturoase, sunt m\u00e2nate de setea de via\u0163\u0103, de dragoste, ca \u00een acest desen schi\u0163at cu non\u015falan\u0163\u0103, de o simplitate \u00een\u015fel\u0103toare. Femeia cu rotunjimi \u015fi un punct central de atrac\u0163ie lanseaz\u0103 un J\u2019attends le vainqueur<\/i> (A\u015ftept \u00eenving\u0103torul), o invita\u0163ie candid\u0103 amoroas\u0103, la care niciun b\u0103rbat nu poate s\u0103 reziste, nu-i a\u015fa? Anath Hanit ne face cu ochiul, \u015ftie ea ce \u015ftie, iar ce \u015ftie ea, \u015ftim \u015fi noi \u015fi iat\u0103-ne sur\u00e2z\u00e2nd \u00eempreun\u0103. Are talentul s\u0103 ne includ\u0103 \u00een glum\u0103, f\u0103c\u00e2nd referin\u0163\u0103 la o experien\u0163\u0103 uman\u0103 \u00eemp\u0103rt\u0103\u015fit\u0103 de to\u0163i, dar adesea trecut\u0103 sub t\u0103cere. Are art\u0103 s\u0103 prezinte ceva natural \u015fi evident \u00eentr-un mod insolit, cu o doz\u0103 de hutzpah, de r\u00e2s s\u0103n\u0103tos, prin care toate preten\u0163iile \u015fi falsurile mic-burgheze se destram\u0103. <\/span><\/p>\n

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Lumea este v\u0103zut\u0103 prin prisma feminin\u0103. \u00cen lucr\u0103rile lui Anath, se m\u0103n\u00e2nc\u0103, se ciocne\u015fte un pahar, se danseaz\u0103. B\u0103rba\u0163ii sunt cavaleri, ofer\u0103 flori, \u0163in umbrela \u015fi s\u0103rut\u0103 picioru\u015ful. Scriu cu pana pe care troneaz\u0103 doamn\u0103, sursa lor de inspira\u0163ie, st\u0103p\u00e2na situa\u0163iei. Z\u00e2mbim, pentru c\u0103 \u015ftim noi ce \u015ftim. \u00cen unele desene, dac\u0103 nu sunt goi-goluti, domnii poart\u0103 papillon, iar doamnele cercei, decolteu \u015fi ruj, to\u0163i sunt maniera\u0163i \u015fi dichisi\u0163i, de parc\u0103 ar descinde din Imperiul austro-ungar. Damele beau ceai din ce\u015fcu\u0163e de por\u0163elan (probabil Meissen) \u015fi Campari din cupe elegante.<\/span><\/p>\n

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Un melc, o buburuz\u0103, o ro\u015fie, o floare, un c\u0103p\u015fune, un macrameu, lucruri m\u0103runte din anturajul nostru domestic se transform\u0103 prin magia artei \u00een reflexii ale sufletului uman. Un ardei \u00eemb\u00e2rligat devine chintesen\u0163a singur\u0103t\u0103\u0163ii \u015fi durerii. O c\u0103p\u015fun\u0103, mititic\u0103 \u015fi speriat\u0103, coco\u0163at\u0103 pe o portocal\u0103, ne inspir\u0103 cea mai mare mil\u0103. Casa de vis-\u00e0-vis, amenin\u0163at\u0103 de d\u0103r\u00e2mare, pl\u00e2nge \u015fi suspin\u0103. Este admirabil cum aceste imagini nu sunt niciodat\u0103 dulcege, cum Anath Hanit utilizeaz\u0103 culori pastel, pink din bel\u015fug, deseneaz\u0103 puzderie de inimioare \u015fi stelu\u0163e, dar rezultatul nu e niciodat\u0103 kitsch. \u00cen toate transpare sur\u00e2sul artistei, plin de simpatie, inteligen\u0163\u0103 \u015fi ironie, iar spectatorul devine complice.<\/span><\/p>\n

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Nu \u00eentotdeauna domin\u0103 senin\u0103tatea. Rela\u0163ia dintre femeie \u015fi b\u0103rbat, \u2033the never ending dance of flesh and soul \u2033, (eternul dans al dorin\u0163elor fizice \u015fi spirituale), a\u015fa cum se exprima artista \u00eentr-un interviu, este dramatic\u0103. \u00cen colec\u0163ia Rendez-vous<\/i>, figurile se apropie, se despart, se atrag, se resping, se \u00eembr\u0103\u0163i\u015feaz\u0103 sau se chinuie, se contopesc sau se zbat, caut\u0103 fericirea \u015fi fug de ea. Fluiditatea liniilor \u015fi fine\u0163ea tr\u0103s\u0103turilor le arata \u00een mi\u015fcare, \u00een momente fugitive de pl\u0103cere sau suferin\u0163\u0103, de dragoste sau violent\u0103. Tabloul mi\u015fun\u0103 de personaje \u015fi pove\u015fti despre tragicul leg\u0103turilor umane. <\/span><\/p>\n

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Anath st\u00e2rne\u015fte emo\u0163ii, idei, revela\u0163ii. Iat-o \u00een poza cu Afrodita n\u0103scut\u0103 din spuma m\u0103rii \u015fi din imagina\u0163ia ei. Din z\u00e2mbetul lor, ghicim c\u0103 ne va face \u00eenc\u0103 multe surprize.<\/span><\/p>\n<\/blockquote>\n

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